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ISBN: 978-0-6151-8244-5
Publisher: Ontological Museum Publications
Rights Owner: Cecil Touchon
Copyright: © 2007 Cecil Touchon 
Language: English
Country: United States
Edition: First Edition

Description:

In Cecil Touchon's third book of poetry he extracts material from the very fabric of the massurreality; texts from spam email. In these poems Touchon gives us a contemplative glimpse into contemporary artistic practice where the artist becomes, much more a connector of things than a creator. Every day trillions of bits of data are transmitted over the Internet. As artists peer into this world of information overload a vast body of incoherent data is brought into view. Much like the subconscious explored by the early Surrealists, Touchon uses this raw material to explore unlikely configurations through the use of found text, the abutment of random, unrelated words and phrases such as the classic example from Lautréamonts Chants de Maldoror: "the unexpected meeting, on a dissection table, of a sewing machine and an umbrella". This embrace of randomness is central to Touchon’s poetic output.

This handsome, collectable hardback edition features a cover image by the founder of Massurrealism, James Seehafer of the classic shopping cart.


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Publishers of materials related to or in the collection of the Ontological Museum including materials related to the International Post-Dogmatist Group, The FluxNexus, The Neoist Society, The International Society of Assemblage and Collage Artists, The Archives of the Eternal Network, The Collage Museum, The FluxMuseum, etc.
collage poetry

Publisher:
Ontological Museum Publications
Copyright: © 2007 Cecil Touchon Standard Copyright License
Language: English
Country: United States
Edition: 1st Edition

Description:

Two Hundred Poems of Cecil Touchon's Massurrealist collage poetry in a hardback, collectible edition. This contains "Sell People Things They Don't Need" and "Is It Necessary to Say Something?" This is the first book of Massurrealist Poetry. The  poetry has been constructed rather than invented. This is a distinction similar to the difference between a drawing and a collage. A drawing is completely fabricated by the artist while a collage is constructed from preexisting parts which have been carefully arranged or even haphazardly arranged! These arrangements are often disjointed, surprising and serendipitous.